Every Day takes a close look at the ordinariness of a family: the stresses of his awful job, her juggling a floundering career and motherhood against being a reluctant caregiver to a father she doesn’t entirely love.
Liev Schrieber’s Ned, a disgruntled scriptwriter who works long hours and feels tempted into infidelity, is theoretically the dramatic focal point of the film, in an emotional evolution that might draw comparisons to Kevin Spacey’s turn in American Beauty. And there are certain elements of the plot that might have followed that mold of suburban misery masquerading as art. Deft touches of warmth and humor in the right places lend realism and balance, making the honesty of this ordinary story inviting.But the magnetic and emotionally forthright performances from Helen Hunt and Brian Dennehy make their characters the ones to watch. Crackling with equal parts anger and love for her family, Helen Hunt’s performance as Jeannie—stressed wife, mother, daughter—captures the emotional subtleties required by such a demanding role. Jeannie is trying to do right by a father, she quips, “has been depressed since the Fifties.” She’s pulled away from him by the needs of her husband and two sons: a teenager who’s exploring his homosexuality and an elementary schooler who plays the violin and asks anxiously thoughtful questions about where people go when they die. Immersed in the work of keeping her family together, she’s a foil for her dubious husband.
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